The outgoing Major of St Neots and good friend of mine, the lovely and talented, Mr Richard Slade commissioned me to make this video for him and St Neots Town Council to reflect on all that he has achieved in his four years as Mayor and Deputy Major. We had a fun day filming it around St Neots and I was assisted (Thank you!!!) by the awesome Jen Nesbitt. The drone footage was shot by Maciek Platek
Shot on a Sony A7IV with Tamron 28-75 2.8 lens Edited in Davinci Resolve
Recently I was very honoured and somewhat overwhelmed to meet and film with the legendary Dame Evelyn Glennie. Along with my good friend and sound recordist Joe Harris we were making a film to be shown at an upcoming exhibition:
Here is the trailer for Martin Cooper’s latest feature documentary “eARThworks”, the 3rd feature doc that I have shot (and done motion graphics for) working with Martin. Coming to a film festival near you soon (and streaming services after that – watch this space)
This film explores our natural environment through the prism of three contemporary artists, from Europe, Africa, and Asia—a painter, a photographer, and a calligrapher. Their work investigates the natural themes of Light, Land, and Water. Together, their work encourages us to re-appreciate and value these vital aspects of nature, which allow not just human life, but all life to exist on Earth.
At the end of last year I was hired by the lovely folks at This Is Crowd to Direct/Shoot/Edit a promotional piece for their client Thomann-Hanry – “The world leading façade cleaning experts” and their latest project cleaning the facade at Somerset House in London. You can read more about the project and Thomann-Hanry’s unique method of cleaning sensitive buildings over on their site HERE and watch the resulting video above, which turned out pretty well, I think.
Big thanks to This Is Crowd for hiring me and especially to Skye. Big thanks also to Claudia from Thomann-Hanry. A pleasure to work with you both.
Shot on a Sony A7III in 4K using Tamron Di III RXD 28-75mm, Canon FD 17mm and Jupiter 11 135mm lenses. Edited and graded in DaVinci Resolve 16
Side Note: The final day of this shoot was just before the UK lockdown due to COVID-19. The edit was a welcome distraction from the beginning of the craziness. Posting the film here now has taken on a slightly surreal edge as it was likely my last job shooting until this is all over. Stay safe, wash your hands and be nice to each other!
Whenever I go somewhere new I try to seek out the local tattoo shop as it almost always provides interesting people to talk to.
My hometown proved no exception and I’ve slowly become friends with the good people there.
So when they told me they were moving to new premises I suggested they might need a new website and perhaps some photos and a video to introduce people to it……
Watch the video here and head over to their site to see more.
If you are in Huntingdon maybe even swing by and get some new ink, don’t forget to mention who sent ya :)
(Really loving this combo at the moment, beautiful images and far better colour straight out of camera than my old A7SII. That new autofocus doesn’t hurt for gimbal work either.)
My first official music video in a while, “New Day”, taken from the new Handbook E.P. “Reminiscence“, out now on Cascade records.
I’ve made two music videos for Cascade previously, Repeat Pattern “Fuck But Beautiful” and Fitz Ambro$e “FAIFF”, so I reached out to Handbook after seeing a tweet from Cascade records promoting the EP and he chose “New Day” as the track he wanted a video for with the brief “I love rivers, countryside and birds/insects so that would be a great focus. Probably difficult, but something ant based would be dope.”
I love this kind of brief as it gives me the amazing freedom to try out ideas and play with effects I otherwise wouldn’t have the opportunity to, even better when the music is as good as this.
Some fun involving a borrowed Garmin Virb 360 (Thanks Documentally:)camera, lots of tests, waiting for the English weather to play ball to get the clouds I wanted and a lot of meticulous masking and editing and voila…..
I really love the happy, uplifting quality of much of Handbook’s work, do yourself a favor and check out his other stuff:-
n. A form of non-rapid eye movement parasomnia that causes people to engage in various sexual acts while they are asleep.
***Disclaimer No.1- Almost definitely NSFW (though to be honest the title really should have given that away)***
***Disclaimer No.2 – This film is intended to spark a conversation about this controversial condition. I realise that it may offend some people and that there will be those that don’t believe it is a real condition and is used as an excuse for sexual assault, which I in NO way condone. But, that said, like most controversial things, I think it is better to discuss them openly than pretend they don’t exist. Sexsomnia as a condition is well documented and recognised by the medical community as a real parasomnia.***
When I first read the blog post that was to become this piece I was a mixture of fascinated and slightly disturbed. I’d never heard of Sexsomnia but as someone who is more than a little fascinated by sleep and our often problematic relationship to it I really wanted to know more.
The author of the anonymous post was someone I knew and after a little persuasion, he agreed to read the post on camera, provided I hid his identity.
I’d had every intention of doing something with the footage at the time, but the subject had reservations, understandable I think. It’s not an easy thing to comprehend and I can see if you had read about the condition in a newspaper in relation to some crime, for example, you may be skeptical as to its status as a real condition.
I did some tentative research and tried to find online forums with other sufferers(?) but for the most part drew a blank.
Given my subjects fear of their identity being revealed and not really knowing how to present the footage in a way that would be visually interesting I filed the footage away and largely forgot about it.
That was 5 years ago.
Fast forward to a couple of months ago as I was having a conversation about my own sleep issues with a friend and a memory was sparked.
On returning home I dug out the footage (thank you past me for your very well labeled and multiple hard disk backups) and found it to be as compelling as I remembered.
I reached out to the subject again and asked if he would mind me doing something with the footage now. He agreed.
More than I care to admit hours of laying out and animating text, consulting and working with talented electronic musician Dave “LAICA” Fleet on the music / sound design and I had the piece presented here.
I’m very pleased with how it turned out and am very thankful to “the sexsomniac” for allowing me to use the footage and to LAICA for the music.
I think it raises some interesting questions and offers a brief insight into a condition that is little known or talked about.
If you or anyone you know is affected by Sexsomnia and would be interested in talking to me on camera I would be very interested in making a longer piece with multiple view points on the subject. Please get in touch.
As always protecting my sources is of the highest priority and you would be afforded the same sensitivity that the subject of this piece was.
My public PGP key, if you wish to use encrypted communication, is HERE.
After seeing my short “Not with a bang” when he was the judge at St Neots Film Festival, Christian “Documentally” Payne hinted that he’d quite like an ident for his videos in a similar style, so seeing as it was his birthday and I hadn’t got him a card…….
You can watch the ident above and read about how I made it below :)
Christian said he wanted something “dystopian” so armed with a Sony A7SII and a CameTV Optimus gimbal I went out and shot some short clips in a deserted town center in deepest darkest England. Obviously not on a Friday night because who wants to walk around with loads of expensive gear and long hair in an English town center with all those drunk Brexit supporters, not me that’s for sure. I was looking for big signs to replace with his website address, a shot that could be anywhere and which signs I would need to replace that were parallaxing behind other things as that is a lot of extra work.
Once I had watched the footage, decided on which shot I was going to use and imported it into Premiere Pro to trim it to the correct length, the fun began. The workflow I used was similar to the process used in “Not with a bang” but thankfully less complicated, it goes like this:-
For each sign or element that needs replacing find the frame in the original video where it is at its largest and export a TIFF of that frame, making a note of the frame number.
Open it up in Photoshop and paint out unwanted elements (e.g. text) in the original sign using a combination of the clone tool, fills and adding noise to make it look as “in the scene” and natural as possible. Add in any text or images that will replace the original sign. Tweak to taste referring back to the original frame to match grain, lighting and faux-3d position.
Turn off the background layer in Photoshop and export a transparent PNG of the whole 1080p frame with just the new element and its background. Open a new After Effects composition, import the footage and the transparent PNG you just created. Marvel at how great it looks, or tweak it using curves etc until it does. Open a new Mocha Pro project and import the footage. Carefully track the sign/element you are replacing paying particular attention to the planar surface, the corners need to be accurately placed and tracked for this to be convincing. This step can get complicated if the track doesn’t want to play ball or if the element you want to track passes behind other things in the scene or if there are lots of reflections or if the scene is shot at night and the footage is grainy or……lots of other reasons. Just persevere with it, Mocha is very good at tracking (way WAY better than the native tracking in After Effects). Once you have a good track position the play head in Mocha to the frame number you took the original still from and use the “align selected surfaces” button to push the corners of the planar surface out to the corners of the 1080p frame. Hit the “Export Tracking Data” button and copy the “After Effects Corner Pin (supports motion blur)” data to the clipboard.
Hop back into after effects and paste the data onto the PNG layer (with the playhead at the beginning of the composition) Play back the composition and exclaim – 1) “oooh that looks nice” or 2) “fuck that doesn’t look right” For option one, pat yourself on the back, save the after effects project and have a nice cup of your chosen hot beverage, you need to get up and walk around now because you’ve been at staring at a screen for long enough. For option two, try to figure out why it looks shit and go back into Mocha to refine the track or Photoshop to tweak the replacement until you get to option one.
Deep vein thrombosis averted re-watch the original clip paying very close attention to any reflections that pass over your replaced element or brightness changes that occur over the clip duration. In After Effects watch your composition again and think about wether you need to add brightness/curve adjustments over time to mimic any changes you noticed occurring in the original shot. If you noticed reflections you may need to place a copy of the original footage over the top of your lovely tracked replacement and mask some areas so we can see the reflections again, it needs to look as real as possible because our brains are very fucking good at noticing when it doesn’t.
Right done all that? Now go back to the beginning and do it all again for every element you want to replace! If one of your elements passes behind another element in the scene scratch your head and think about how you are going to make that work with a combination of masked copies of the original footage or some other voodoo. If there is a reflection of something you have replaced visible in a shiny surface in your footage you are going to have to deal with that too. It will be a pain in the arse, especially if the surface it is reflecting in is curved, good luck with that.
Ok, really all done and happy? Great! Render out the final composition from After Effects as a nice high quality ProRes file. Import it back into the original Premiere Pro sequence and place it above your original footage. Add any additional effects like the old TV or RGB split ones I used in places, add an adjustment layer and colour grade to your chosen look. Add in the lovely audio track that you got sent to complete the recipe… Export to a nice internet friendly codec. Upload to Vimeo or Youtube and send your friend/client a link and revel in all the praise they heap upon you for your great (and fast) work. Go and have a well deserved beer.
Alternatively hire me to do it all for you, my rates are surprisingly reasonable.
Well…We’re here again, the end of another rotation around the sun.
This is a year I will never forget as it was the year I finally escaped Japan – after 10 years and 1 day exactly.
5 months in to my rehab/recovery and I can honestly say ….. well I could write a book on how I feel about the whole thing, but I won’t for everyone’s sake….Let’s just say, so far, it feels 99% like the right decision.
As I settle into my new life the only things I miss from that god forsaken set of islands off the coast of China are my dear friends (that was always going to be the hardest part) and natto, and I’ve found a natto supplier close by…
I’m splitting this years end of year look back into 2 pre and post Jexit (see what I did there? Topical :) posts to make them less ridiculous to read and because that’s how the year has felt.
A big thank you to the friends (new and far away) and colleagues who made it as always an interesting, productive year.
Thanks also to the clients who hired me and gave me the opportunities to work on some interesting and diverse projects and a pre-emptive thanks to all the new clients who are going to hire me in 2017 to do amazing work for them…
So settle in for part 1 of the run through of the bastard that was 2016……
January
Whilst I was hiding my scary tattooed body away from the poor easily frightened Japanese people in a private hot spring bath 2016 started the way we were soon to understand it meant to go on, with the death of David Bowie closely followed by actor Alan Rickman…
I published my collaboration video with calligrapher Nakajima Hiroyuki promoting his upcoming aptly named “LIFE” exhibition. (All shot on an iPhone 5s by the way…)
In what was to turn out to be the beginning of a great friendship I interviewed legendary calligrapher Koji Kakinuma for the documentary I’ve been DPing and producing in 2016, “Traces of the soul” about calligraphers worldwide…
The awesome talents that are Eiichi & Atsuko “Scart” Miyamoto finally (seriously Eiichi….finally!!) opened their gallery in Tsukiji and I was lucky enough to get riotously drunk with them at the opening party…
I interviewed super lovely guy and talented calligrapher Hiroyuki Nakajima for the second time, again for “Traces of the soul”…
After a shoot for his “Strangers” fashion label (All the product and look shots over on the site where shot by me) I grabbed a quick portrait of my dear friend Kevin Mullin and his writer/editor soon to be wife AnneMarie Luck…
I went to CP+ 2016 with Matt Allard from Newshooter and even ended up with my first cameo of the year in the video:)…
We published the 2nd and what turned out to be final episode of the “You’re not from ’round here” podcast this time with the awesome Anthony Davis…
Spotted a great paste-up in Shibuya alongside a new 281_Anti nuke sticker…
And I was enjoying taking pictures of the fucked up-ness of Tokyo again thanks to the low-light capabilities of my recently purchased Sony A7SII and having my hand firmly on the exit door…
Matt Allard and I also went to NAC in Tokyo to test out some $1300 Arri Sky Panels and while we were there we tested my $70 Pergear light with some interesting results…
Underworld played a secret gig in Shibuya and I was at the soundcheck and got to meet Karl & Rick…
Sometimes it snows in April, and this year it most definitely did prompting me to write my 1st (and probably last) blog post on a celebrity death…
I half killed myself trying to keep up with Koji Kakinuma on another shoot for “Traces Of The Soul”
I did the motion graphics for the new News Shooter ident which plays at the beginning of every video…
I spent several hours a day with my head in After Effects working on my short film…
I held a $20,000 paint brush at a secret shoot…
My good friend the talented and lovely Laura Liverani was in town and she had an exhibition of her Ainu photographs at a sneak peak of the Ainu documentary she is working on…
I had given up not trying to frighten people when I went out…
I was filming with Icelandic DJ/Producer Arni Krisjanson for his crowd funding campaign…
There were some interesting parties…
Most days I wanted to scream this at the top of my lungs…
There was brief respite from losing people…(obviously thats not true, but there was a brief respite in losing people who had touched me in some way)
June
I went to Bali for “Brightening horizons by paying it forward” and directed/shot & Edited a video promoting the Banyumala Jungle Waterfall Trek in Wanigiri village.
It was awesome…
This months piece I DP’d, shot and edited in Belper, Derbyshire for my good friends Postfuel is now up on the Influx site.
This time it’s about Bowler Motorsport, a company that builds custom rally cars based on Land Rover Defenders.
Another fun and interesting job contributing to my slow and steady slide towards becoming a car nut.
The past few weeks has been a blur of (good) busyness what with a trip to IBC in Amsterdam at a days notice with the newsshooter.com team, a D.P. and editing job for my mates Postfuel on drift car nutter Buttsy Butler, a motion graphics job and then this past week to Photokina in Cologne again with Dan and the newsshooter.com team.
Trade show coverage is a strange manic beast with many gruesome heads that sees you shooting, editing and uploading several spots a day all while running around an enormous conference center whose floors are made from the hardest substance known to mankind (or at least that’s what my poor feet tell me after a week of walking 15km a day carrying a load of gear!).
Luckily the news shooter team consists of some truly lovely and hugely talented people so the manic intensity is offset with a lot of laughs and learning.
Big shout out to Dan Chung, Matt Allard, Lilian Ahlskog, Simon Glass, Joe Marine, Scott Karlins, Daniel Lindner, Tom Barnes, Katie Teesdale-Ward and Dave Newton for making the past few weeks so great.
Can’t forget a thanks to the cinema5d boys for being so damn friendly too :)
Anyway, below are the videos I shot and edited for news shooter at Photokina. Oh and by the way those nice News shooter idents at the beginning of every video….I made those too :)
Oh and for the record they were all shot on my trusty 4 year old Canon C100 MkI with Sigma and Tokina lenses. Despite all the hype of 4K and gear lust a camera that still looks great and works reliably every. damn. time. :)
Oh and there’s a load of photos from IBC and Photokina over on my Instagram account too.
Here are some additional videos that I shot but didn’t edit from Photokina:-
I am proud to present my latest short film “Not With A Bang” (Title stolen from T.S.Elliot because I have delusions of grandeur) the result of months of work and what amounts to a final parting shot to Japan.
I advise watching it full screen on a reasonable sized monitor or it won’t make a lot of sense and you’ll miss most of it.
I’ve had the general idea for this kicking around for ages but it was only after a conversation with my good friend Sean Lotman a few months ago that the idea finally crystallized into something I thought I could attempt.
I knew roughly how to realize it but I also knew it would involve a LOT of work and the learning of some new software (Mocha for all the motion tracking) and getting much better at compositing in After Effects.
I had no idea when I started just how long it would take!
Motion tracking 30 signs into one shot and compositing them so they look like they are part of the scene and not just tacked on is a laborious process for very little pay off in some cases but I knew if I was going to do this I had to do it to as well as I possibly could.
Cue days of watching tutorials, trying things, refining them and frame by frame motion tracking. Rinse and repeat and repeat and repeat…….
In total it has taken more than 2 months of work…..for 3 minutes of film!
The end result isn’t technically perfect but…..in my humble opinion it’s pretty damn good. I doubt if anyone other than other motion graphics and composting people will even see most of the imperfections.
I have a new respect for the guys & girls that do it full time for a living because it makes your brain hurt and some parts of it are really fucking tedious!
That said it was a really interesting learning experience and a great way to improve my skills and for that reason alone it was worth all the time.
For the record all the statistics are from reliable sources.
Big thanks and respect to my sometimes collaborator and good friend Sean Bonner under his new alias //delay(5000); for making the music that adds an extra level to the soundscape.
Thanks also to the mystery girl (you know who you are:) who I filmed for the people disappearing shot.
Of course the point of making a show reel every year is to showcase my latest work and hopefully drum up more business, so let’s hope 2016 is a good and busy year!
Earlier this week I went to Asagiri Kogen in Shizuoaka to go paragliding with my wife. I was lucky enough to do a tandem flight with Keiko Hiraki the womens 2013 world champion paraglider.
The video doesn’t really do it justice as the slightly scary experience of drifting effortlessly and silently through the sky is right up there with the coolest things I’ve ever done.
I was a little scared going in as 10 ish years ago I knew some people who had died paragliding in Bir, India. Turns out that Hiraki san had also been in Bir around the same time I had. Despite flying with the world champion I had to decline (which I kinda regret now) when Hiraki san asked me if I wanted to do some “acrobatic flying” but I cannot recommend the experience highly enough!
The school we went to was called “Sky asagiri” and everyone there was SUPER friendly and helpful and made the whole experience pretty awesome. I highly recommend them!!!!
Makes all my recent efforts messing around with quadcopters to get aerial footage all the more interesting!
After we stayed in Kawaguchiko where we had some very nice views of Mout Fuji from our hotel. All in all a very nice few days away!
Pt.2 of my continuing adventures with aerial filming in which we discover that things are a LOT more complicated than they seem………
The video above is an example of what I have managed to achieve after weeks of tinkering and makes liberal use of warp stabiliser to smooth out continuing problems, read on to hear all about them…….
So if you’ve read Pt.1 of my post you’ll know that I had a few (ahem) problems trying to get useable video out of my quadcopter and the end of Pt.1 was a crash resulting from a QC issue.
I’m happy to report that after a few weeks of waiting my friend Pieter Franken from Safecast was able to fix the soldering issue inside the quad and after some tentative testing since then it has at least been flying……….
Am I any closer to getting useable footage from it? well…..Yes and No……..
The first thing I did was upgrade the props to some carbon fiber ones. They are much stiffer than the stock props and through my reading I discovered this could help with the jello problem IF the props were carefully balanced. This is by no means accepted by everyone in the RC community, but I have had significantly better results with the carbon props than the WLToys stock ones.
I also discovered that the carbon props are basically very fast spinning razor blades once the quad is flying and they do have a tendency to break! It is worth repeating again that safety is REALLY important when experimenting with these things.
The first problem I ran into was that the prop balancer I had bought was itself out of balance! (one more tick on the “you get what you pay for” list)
Some filing, sanding of prop balancer nuts and swearing later and I was able to balance the props to my satisfaction.
What a difference!
With the balanced carbon props and stock gopro mount almost jello free! Not perfect but such a huge improvement on my previous efforts.
Time to move on to the gimbal.
Walkera G2-D plastic gimbal – with ND 4, zipties in isolation mounts and added weight to balance roll axis. (Not visible is the extra weight on the back of the GoPro to balance the weight of the ND filter)
This too, despite being sold as “balanced for a GoPro 3” needed some time and glue to get it to a balanced state with the motors off.
First tests were relatively stable in zero wind conditions when flying slowly but the jello was back.
More reading (lots more reading) and it seemed the rubber isolation mounts on the gimbal could be the problem. So zip ties were added and progressively tightened down or losened all the while testing and retesting in local parks.
The people over on the rcgroups v303 forum were very helpful and knowledgeable. Without them I would have given up and just made a nice stable video on a tripod with my C100 of the v303 being smashed to pieces and set fire to!
I was able to achieve pretty much jello free footage but was still getting some random shaking, particularly if there was any wind, when flying forwards at any kind of speed and when descending.
And lest I forget there was still the horizon roll problem when yawing (turning) the quad……..(more on that later)
I also added a 4 stop ND filter to the GoPro, a cheap ebay one – will I NEVER learn? and re balanced and tuned the gimbal to account for the extra weight whenever trying to film in bright sunlight as this is the one fix for any remaining jello that is pretty much universally agreed on across the forums.
For god sake don’t watch the whole 9 minutes of this video as it is REALLY boring, but it will at least give you some idea.
Also I have performed NO colour correction or black point corrections on this, it is completely raw from the GoPro.
Some of the shaking is due to using a 2 axis as opposed to 3 axis gimbal. Whilst in flight the flight controller makes tiny adjustments to the yaw of the quad to keep it pointing in the direction it is facing in. These tiny yaw adjustments show up greatly magnified in the footage as side to side shaking.
The rest (read most) of the shaking, I think, was still due to the isolation mounts on the gimbal.
After tightening down the zipties in the isolation mounts even further and adding prop guards to the quad (another suggestion from the interweb to help minimize some of the yaw shake) we were closer………but still no cigar.
The following video was shot on a pretty windy day, you’ll see at one point the quad struggles quiet badly in a gust and the prop guards definitely seem to make it more stable but at the expense of making it a little sluggish. The horizon roll is also clearly visible when the quad yaws :( Again don’t watch it all ( it’s dull) but it will give you an idea.
Lets deal with the horizon drift problem first, where when yawing the craft the gimbal tilts slightly (sometimes not so slightly!) and the horizon is no longer level. A problem on all but the most expensive larger gimbals as it is actually due to simple physics and the way the gimbals sensors know where it is in space. The controller board used in most commercially available gimbals is an Alexmos board and many many people have the horizon drift problem with this board.
Unfortunately I was using the walkera G2-D gimbal with the propriety walkera controller board which is basically a piece of S%$t (the interwebs words not mine-though I do agree). I tried using the ridiculous manual system of pushing a hard to reach button and turning a tiny pot (even harder to reach) on my gimbal to increase the power of the tilt motor without inducing vibration which would cause jello. A truly idiotic procedure with this gimbal! A slight improvement but because of all I had read I realized probably as good as it was going to get.
For the shakes in the yaw axis my research told me this was easy – a 3 axis gimbal.
“So just buy a 3 axis gimbal and be done with it!” I hear you say………If only it were that simple.
At the consumer level the “best” and most expensive 3 axis GoPro gimbal is considered to be the Zenmuse H3-3D by DJI. This gimbal however works best with a NAZA flight controller (the one found in the Phantom and other DJI multirotors) or additional cost for the non-phantom version. This gimbal however does not allow for manual tuning of the parameters ( known as the PID’s) and reading through the forums there are many people having issues, including but not limited to, the dreaded yaw horizon roll.
A cheaper alternative which would work without being hooked up to the flight controller on the quad and hence compatible with my current quad seemed to be the DYS SMART 3 axis GoPro gimbal. This too seems to be far from “Plug and Play” as claimed and requires extensive tuning but at this point is looking very much like my next purchase. It too is not without it’s issues but seems to be a major step up from my current walkera 2 axis P.O.S.
An exciting development in gimbal controllers also seems to be the recently released Phobotic centerpiece which whilst not cheap ($400 for the controller board alone) offers some impressive features such as auto tuning that aim to make it the best controller out there. Videos I’ve seen look very impressive as they should for a gimbal that is going to cost me at least $600 before I even put a GoPro in it and then I’m going to attach it to a $270 quad? I don’t think so.
So from all my experiments and reading the conclusion I have come to is that it is almost impossible to get any pro level footage without spending at least $500 on a quad and to be honest it would seem a much better plan would be to step up to the $850+ range and buy a hexacopter which would also carry more weight. Another $350 minimum on a gimbal and more like $600 for one that includes the Phobotic board. Throw in the cost of a GoPro at $350 and more if you wait for the soon to be released Hero 4 (?) and we are looking at $2000 give or take to get anything truly pro level – lets not even add in the cost of extra batteries, a decent charger and replacement props.
I’ll keep struggling away with my set up for now and will probably buy the DYS 3 axis gimbal. I don’t want to make 7 minute aerial videos, I just need the odd shot for projects I’m working on! So close enough and then a little warp stabiliser may well be good enough.
It’s been and continues to be a very valuable learning experience , frustrating as all hell but above all it’s still damn fun!!
I’m off to fly my little Hubasn X4 around in the little park near my house and not worry about jello and 3 axis stabilisation!
You haven’t heard (or seen) the last of my aerial adventures though I assure you!
Recently I was in Fukushima prefecture shooting for Greenpeace where we interviewed people in temporary housing and visited their original homes in areas which are no longer safe to live due to radioactive contamination.
When my good friend and journalist Richard Smart showed me a piece he had written about the shamisen player Katsutoshi Tsukahara for the Global Post and asked if I’d be interested in going to film him rocking out some non traditional music on his 3 stringed axe I of course jumped at the chance – Smoke on the water and Disco played on a shamisen? hell yes!
Check out the video above and head over to the Global Post to read Richard’s excellent piece.
281_Anti nuke – Documentary trailer – “Post Fukushima, a young father and artist assumes a mask and the name ‘281_Anti nuke’ and takes to the streets of Tokyo angering right wing users of the Internet.”
Recently did a very interesting photo/video shoot with Fujimoto Kenji, the ex-sushi chef to North Korean leaders Kim Jong Ill and Kim Jong Un.
Published in “The Sun” in the UK, there were some very interesting moments and some stories that gave me an insight into North Korea that I would be unlikely to get if I hadn’t talked with Fujimoto san, an interesting mornings work to say the least.
***UPDATE 2019****
Unfortunately the video and Images are long gone from The Massive Wanker, sorry The Sun’s website……and I don’t have permission to post them, so…..
You can’t watch the video below:-
Or, Head on over to The Sun (if you dare ;) to read the articles (as they no longer exist):-
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