The outgoing Major of St Neots and good friend of mine, the lovely and talented, Mr Richard Slade commissioned me to make this video for him and St Neots Town Council to reflect on all that he has achieved in his four years as Mayor and Deputy Major. We had a fun day filming it around St Neots and I was assisted (Thank you!!!) by the awesome Jen Nesbitt. The drone footage was shot by Maciek Platek
Shot on a Sony A7IV with Tamron 28-75 2.8 lens Edited in Davinci Resolve
Recently I was very honoured and somewhat overwhelmed to meet and film with the legendary Dame Evelyn Glennie. Along with my good friend and sound recordist Joe Harris we were making a film to be shown at an upcoming exhibition:
Here is the trailer for Martin Cooper’s latest feature documentary “eARThworks”, the 3rd feature doc that I have shot (and done motion graphics for) working with Martin. Coming to a film festival near you soon (and streaming services after that – watch this space)
This film explores our natural environment through the prism of three contemporary artists, from Europe, Africa, and Asia—a painter, a photographer, and a calligrapher. Their work investigates the natural themes of Light, Land, and Water. Together, their work encourages us to re-appreciate and value these vital aspects of nature, which allow not just human life, but all life to exist on Earth.
I have just returned, a little broken, from a 2 week, 2400 mile, no motorway motorbike trip through France with my good friend Joe Harris. My first long motorbike tour of this kind. Three bike drops and one slow speed crash, endless quiet country roads and my own body weight in cheese!
I am leaving some notes on my thoughts about the trip here, for future me who wants to do this sort of thing again and for anyone else who might find them useful. If that’s not interesting to you, you could watch the video above or look at the photos here :)
The first (and last) days were by far the most punishing. Cambridgeshire to Dover avoiding motorways is a long enough slog in itself, but add to that the ferry crossing and then a further 1 1/2 hours to our first night’s stay in Enquin-lez-Guinegatte and you have a recipe for total exhaustion. I had my first bike drop of the trip in Folkstone as a car appearing out of nowhere on a blind right turn at a T junction had me slamming on the brakes, the heavily laden panniers, a weight I wasn’t used to, causing me to topple over, catching my leg on the footpeg as the bike went down and taking a nice chunk out of my left calf.
The first few days it became apparent that my Vstrom 650cc and my lack of skill as a rider were actually a good match for Joe’s Royal Enfield 350cc and his considerably more experience and skill. I couldn’t keep up with him through the twisty bits but a quick twist of the throttle had me easily catching him on straighter sections.
There was an unfortunate incident where I slow speed rear ended Joe’s bike at a T-junction on Day 2. My fault entirely. Bike drop 2. Shit. No damage to either of us and only a slight dent in Joe’s left side pannier. It did lead to us discovering Joe had a flat front tyre, a Sunday morning disaster averted by the lovely mechanic and his wife, just 8 slow, careful minutes away. The takeaway lesson – offset more when approaching your motorbike buddy at a junction so if they do change their mind you aren’t directly behind them!
There was a couple of days period of negotiation and compromise finding out how each other liked to ride 200+ mile days. I really need to stop for a rest and a stretch every hour to hour and a half, whereas Joe could happily ride for 3 to 4 hours without stopping. We soon found a rhythm that whilst a compromise seemed to work for both of us. It’s definitely worth discussing this before you leave.
That first week was also around 38 degrees daytime temperature, thank all the deities for AA rated mesh motorcycle jackets!
Our original plan had been to ride to Merigar Dzogchen center near Grosetto in Italy but it quickly became apparent this was not realistic given our roughly 2 week time constraint. Joe had a birthday party to attend in Chamonix so that became our destination point. However a few days before I had decided not to go all the way to Chamonix. The weather forecast didn’t look good, my confidence was a little dented from the 2 drops and all those switch back turns on the map were giving me palpitations. Besides I wasn’t invited to the party.
We took a slight detour West to visit a friend of Joe’s as he was ahead of schedule to arrive in Chamonix. A lovely couple of days with family hospitality, swimming in lakes, crepes and 9% beer. Thanks Angelic and family!
One further day south to Chanas (my furthest southern point on the trip) we parted company. I decided to head to see a good friend, Arnaud and his partner, a day and a half’s ride away in Mailly la ville. I was still a little nervous about riding on my own and my total lack of French language skills, but as soon as the wheels started rolling, I was fine. Meeting up with my dear and respected friend Arnaud was 100% the right choice. I had a bloody lovely time! (Thanks Arnaud and Joelle)
After a couple of days Joe and I met up again, my nervousness gone I could happily have continued on alone but it was much more fun to be back riding with a friend. Rain stopped play for a couple of days in Giromagny, where we had an awesome Air BnB which weirdly had 5 robo-vacuums on the ground floor alone. Films were watched, cheese, beer and wine was consumed.
Apart from a strange shuddering on one day (chain was a little loose and once tightened things seemed fine again) my V-strom was rock solid. Joe’s Enfield, however broke down on a number of occasions. I was in quiet awe of his ability to diagnose and fix problems by the roadside. Carburetors dismantled, points adjusted, rear brake stripped, cleaned and reassembled. I didn’t need his skills for my bike but it felt very comforting to know at least one of us was good for more than just tightening and oiling a chain.
It is a good test of a friendship to spend 2 solid weeks with someone day and night. There were definitely times when we annoyed each other, inevitable I think. Thankfully we are both pretty good at bringing up annoyances in a way that allows them to be discussed and worked through without too much conflict. Travelling together is always a compromise but for me the benefits far outweigh the downsides. Hopefully after a fortnight with me Joe feels the same!
I owe Joe a huge Thank You for his gracious and patient dealing with my lack of experience and for compromises he made to his usual way of doing things. Thanks bro!
Overall I had a total blast, it scratched some “adventure” itch I had and it was wonderful to meander through rural France and experience the kindness of the French people.
I’d do it all again in a heartbeat, but maybe next week when my muscles have stopped aching!
I’m pleased to finally share a short film that, some time ago, Director Martin Cooper and I were commissioned to make for inclusion in a project called “One Minute Mistake”. “The Appliance of Science” is what we came up with.
Somewhat of a departure from our usual documentary projects, it was a lot of fun to make. Despite my reluctance to appear onscreen! Filmed on a green screen with all the backgrounds of the ‘laboratory’ generated in Stable Diffusion (AI Image generator). The editing and compositing process, done entirely in After Effects, was a very interesting challenge.
We hope you enjoy it.
Staring – Martin Cooper, Adrian “Uchujin” Storey & Steve Gorton Director – Martin Cooper Director Of Photography, Editor & Digital Compositor – Adrian “Uchujin” Storey Hand-drawn animations – Parham Ghalamdhar Opening Title Card – Michael Knaggs Music – Ethan Uslan (Used under a CC 4.0 Licence)
Ed Boxall an artist/musician and dear old friend, recently asked if I’d be interested in making a video for a track on his upcoming “Wild Ones” album release. Back in the (distant) day, Ed and I had a band called “Sunshine Head” and I have always loved his songwriting and art work, so it was a swift and simple ‘yes’. The track he chose was titled “Dance Beneath A Diamond Sky”, the Bob Dylan reference immediately endeared me to it.
Ed was happy for me to have free rein to do whatever I wanted and after listening to the track a few times an idea presented itself.
I took some existing footage I had shot on a beautiful old Russian Helios 40 85mm lens in a nearby wood and a whole stack of illustrations Ed had sent me.
I had been planning on experimenting more with AI image generators after my initial experiments a year ago as much had evolved in the space. This seemed like the perfect project on which to play.
I fed both the footage and the drawings into the Deforum extension for Stable Diffusion, using prompts generated from Clip Interrogator. This produced some interesting shifting animations of the static footage and dreamlike hallucinations of Ed’s original drawings. I also generated some additional elements to layer into the video using variations on the song’s title as prompts. Everything was blended together in After Effects and a grade applied to complete the look.
I wanted to make something that didn’t look like it had been generated by AI, something that was using it more as a tool to play with my original footage and Ed’s original drawings. Not only was it more satisfying to use these tools to create based on work done by our own hands but (for me at least) it dismissed a lot of the ethical hand wringing that rightfully accompanies a lot of things being produced by it.
Allow me to present the film I shot with Director/Editor Martin Cooper about calligrapher Nakajima Hiroyuki’s exhibition in Milan last month. This performance/exhibition/ was part of the event “Written in Stone”, a group exhibition held in Milan October 9-16 2023, in Palazzina dei Bagni Misteriosi of Franco Parenti Theatre, curated by Katia Bagnoli and Bruno Riva. It was a real pleasure to work with Martin and Hiroyuki again. It’s been some years since I last saw Hiroyuki after meeting him during the filming of Martin’s multi award winning feature documentary “Traces Of The Soul“.
My last blog post was some photos from the trip in case you want to see those.
Allow me to present my latest short film “Peripheral Neuropathy”
I started thinking about this idea about 8 months ago and even filmed a few bits to check and see if it was going to work. I had drawn up a storyboard and planned out 80% of it but had hit a brick wall with how to end it. It got shelved but kept bubbling away in the back of my mind every time I looked at the crudely hand drawn storyboard taped to my speaker stand.
Then text to image AI models exploded into my world, adding an entirely new tool to the toolbox. Quite simple film making and some finessed After Effects skills had gotten me most of the way, could I leverage this new tool to finally get this finished?
I’d already been using Stable Diffusion on another short Directed by Martin Cooper to generate backgrounds for some green screen footage we had shot and was increasingly excited about the possible uses in other work.
There ended up being very little actual Stable Diffusion stuff in this film, but what has ended up in there made it possible to finish the film, something I was beginning to worry might not happen. It had helped in other ways by inspiring experimentation and ultimately provided a much needed creative spark, so deserves more credit than the amount of it’s inclusion would suggest.
I used the Deforum animation plugin in the Automatic web UI of Stable diffusion to create a low poly moving “field” to mirror the actual field seen in the piece. I also used Stable diffusion to generate an image of an aged me from a video frame, I attempted to use EbSynth to map the image back onto the video but was not really getting anything I was happy with. I ended up using FILM to map the image onto the footage, which gave a much more satisfying result.
I knew it needed more than the natural sounds present to bring it all together and asked my long time friend and musical talent Danny Griffin to see what he could do, the only real brief being I didn’t want it to end up being like a music video. I think he absolutely nailed the soundtrack, adding so much more to the piece.
You can draw your own conclusions on what it’s about or why it has the title it does.
I’m very pleased with how it’s turned out. I hope you like it.
*Note to self: Figure out the whole story before starting something in future otherwise it just gnaws away at you :)*
“May Week Alternative” set out to change the way people thought about charity and over a quarter of a million pounds raised (and counting) later, it seems they have succeeded!
I’ve done a fair bit of work for Trinity College, Cambridge over the last few years, a lot of which I’ve been unable to share so I’m really happy to be able to finally post about this awesome project set up by Trinity alumni George Rosenfeld and Areeg Emarah in 2017.
Really proud of the video above shot by myself and Oliver Sharpe and edited by me. It’s well worth your time, amazing project and lovely people!
You can see all the films and read through the detailed advice over on Trinity’s website – HERE
Shooting in 2020 has proved more challenging than usual, what with constant wiping down of equipment, social distancing and strict mask use, but despite the COVID-19 measures we had put in place for the filming it was a lot of fun and a real pleasure to meet the students and staff who feature in the films.
I think moving forward shooting will be an interesting, if odd experience for a while.
We were asked not to post on social media about the filming until the films were released, so I er….didn’t :) It was hard not to because the architecture of Hogwarts Trinity College is pretty impressive!
If you just want to watch the short films, here’s a playlist (Though to be honest if you are not heading to Trinity, I’m not entirely sure why you’d want to, except of course to see mine and Oli’s great work :)
For the tech heads, a kit list – Sony A7III Tamron 28-75mm Canon FD 17mm Andycine A6 and A6 Plus V2 monitors Gobe vari-ND filter Rode Wireless Go Sachtler ACE tripod Moza Aircross 2 Gimbal Zhiyun Weebill S gimbal
On a private road because E-Scooters still aren’t legal on UK roads, socially distanced because 2020 and wearing helmets because middle aged men on scooters :)
Got to test out my new Zhiyun Weebill S gimbal, it easily handles the weight of my Sony A7III in a cage with the Tamron 28-75 so that was nice too.
Directed by: Christian “Documentally” Payne & Adrian “Uchujin” Storey
Shot & Edited by: Adrian “Uchujin” Storey
Music: Linear Folk “The Dog Is Her Buddha” Used under a CC by 3.0 License with Thanks! soundcloud.com/linearfolk
***rant***
I sold my Moza Aircross 2 gimbal because despite being a great gimbal functionally the battery won’t fully charge after only 9 months and a replacement which we all know is just a cheap and easily available 18650 in a proprietary plastic case costs £70!! The Weebil on the other hand takes standard 18650’s which you can pick up on eBay for about £6 a pair. The overall design of the Weebill and the ease of getting to underslung mode makes it a far better gimbal in use too IMHO. I’m done with companies that use proprietary batteries and then charge through the nose for them. The inkjet printer model for camera equipment is completely offensive to customers, there are plenty of standard battery types (18650, NP-F, V-lock etc) so that no company needs to do this. Personally, I have a new rule to not buy any product that doesn’t use a standard battery type from now on.
So, I finally got around to making a new showreel! Yes, I know it’s longer than it should be for a showreel, but I figure if you haven’t got 4 minutes to find out if you like my work then it’s unlikely you are going to hire me anyway. (Additional note – Please hire me:)
At the end of last year I was hired by the lovely folks at This Is Crowd to Direct/Shoot/Edit a promotional piece for their client Thomann-Hanry – “The world leading façade cleaning experts” and their latest project cleaning the facade at Somerset House in London. You can read more about the project and Thomann-Hanry’s unique method of cleaning sensitive buildings over on their site HERE and watch the resulting video above, which turned out pretty well, I think.
Big thanks to This Is Crowd for hiring me and especially to Skye. Big thanks also to Claudia from Thomann-Hanry. A pleasure to work with you both.
Shot on a Sony A7III in 4K using Tamron Di III RXD 28-75mm, Canon FD 17mm and Jupiter 11 135mm lenses. Edited and graded in DaVinci Resolve 16
Side Note: The final day of this shoot was just before the UK lockdown due to COVID-19. The edit was a welcome distraction from the beginning of the craziness. Posting the film here now has taken on a slightly surreal edge as it was likely my last job shooting until this is all over. Stay safe, wash your hands and be nice to each other!
The fourth and final of four films from the Women at Cambridge series I had the pleasure of shooting for Duckrabbit and The University Of Cambridge -“Planting women’s roots in Cambridge”
Part of the #RisingTide and #WomenAtCambridge exhibition at The University of Cambridge Library. www.cam.ac.uk/TheRisingTide
From the Youtube description:- The impact of women at Cambridge is incalculable. In 1869, Girton College became the first women’s college at Cambridge, and the first in Britain, to offer residential higher education for women. But Cambridge University did not grant degrees to women until the late 1940s, the last British University to do so.
In this final film, Jo Cobb, Head Gardener of Murray Edwards College, joins co-curator of The Rising Tide: Women at Cambridge exhibition, Dr Lucy Delap, in Eliza Baker Court at Girton College. Here, they discuss the influence of former Head Gardener, Chrystabel Procter on the college and on future female gardeners across the University.
I really enjoyed hanging out with Dr Lucy Delap and meeting Jo Cobb during the making of this. Was very nice to spend time in the Eliza Baker Court at Girton College too. It was also a real pleasure & honor (as it always is) working with Ben from Duckrabbit, who never ceases to amaze with his kind-hearted, open professionalism.
Shot on multiple Sony A7III’s and a Sony FS5 with Tamron 28-75, Sony 16-35 and another lens that I’ve forgotten should you care about that kind of thing :)
The third of four films from the Women at Cambridge series I had the pleasure of shooting for Duckrabbit and The University Of Cambridge -“The ladder of academic success”
Part of the #RisingTide and #WomenAtCambridge exhibition at The University of Cambridge Library. www.cam.ac.uk/TheRisingTide
From the Youtube description:- The impact of women at Cambridge is incalculable. In 1869, Girton College became the first women’s college at Cambridge, and the first in Britain, to offer residential higher education for women. But Cambridge University did not grant degrees to women until the late 1940s, the last British University to do so. In this third of four films, co-curator of Cambridge University Library’s The Rising Tide: Women at Cambridge exhibition, Dr Ben Griffin, is joined by Girton Fellow Dr Dorothy Thompson, to discuss the impact of Muriel Clara Bradbrook, former mistress of Girton College and the first women to become a professor in the Faculty of English. Here, they look at a board game, created by Bradbrook, following the life of a female academic at Cambridge. #TheRisingTide#WomenAtCambridge
Steve Selwood: Cambridge University Women’s Boat Club B, Womens Head of The River 2012 Flickr
I really enjoyed hanging out with Dr Ben Griffin and meeting Dr Dorothy Thompson during the making of this. It was also a real pleasure & honor (as it always is) working with Ben from Duckrabbit, who never ceases to amaze with his kind-hearted, open professionalism.
Shot on multiple Sony A7III’s with Tamron 28-75 and Sony 16-35, should you care about that kind of thing :)
The second of four films from the Women at Cambridge series I had the pleasure of shooting for Duckrabbit and The University Of Cambridge -“Flying the flag for women’s rowing”
Part of the #RisingTide and #WomenAtCambridge exhibition at The University of Cambridge Library. www.cam.ac.uk/TheRisingTide
From the Youtube description:- The impact of women at Cambridge is incalculable. In 1869, Girton College became the first women’s college at Cambridge, and the first in Britain, to offer residential higher education for women. But Cambridge University did not grant degrees to women until the late 1940s, the last British University to do so. In this second of four films, Dr Lucy Delap, co-curator of Cambridge University Library’s The Rising Tide: Women at Cambridge exhibition, is joined by Gemma-Claire Ali of Newnham Boat Club and Siobhan Cassidy, Chair of Cambridge University Women’s Boat Club, to reflect on the history of women’s rowing in Cambridge. In 2013, Cambridge University Women’s Boat Club moved into a boathouse on the River Cam, 70 years after being founded, and are still fighting for equality in women’s rowing.
I really enjoyed hanging out with Lucy Delap , Siobhan Cassidy & Gemma-Claire Ali at the Newnham College boat club during the making of this. It was also a real pleasure & honor (as it always is) working with Ben from Duckrabbit, who never ceases to amaze with his kind-hearted, open professionalism.
Shot on multiple Sony A7III’s with Tamron 28-75 and Sony 16-35.
In September 2019 I traveled to Lviv in Ukraine with Ben from Duckrabbit to make a fundraising film for World Jewish Relief to be shown at their annual dinner. The result of that trip is the film above. I haven’t been able to publicly talk about the film, my time in Lviv or post any pictures until the film was finally released to the public on 4th February 2020.
Lviv is a beautiful city with a brutal history – some great architecture, cobbled streets, trams, Om Nom Nom – one of the best vegan restaurants I’ve ever eaten in, cheap beer and was the site of the Janowska concentration camp .
The fantastic crew for our 7 days in Lviv consisted of Ben duckrabbit (Director), Dan (onscreen), Natalia (who we immediately nicknamed ‘Nutella’, translator), Tanya from World Jewish Relief and myself (camera). We would be interviewing Jewish survivors Semyon, Rosa and Clara. Their stories would bring me to tears more than once.
Listening to the stories of what Semyon, Rosa and Clara went through was a deeply moving and unsettling experience. It’s one thing to read or watch films about what happened to the Jewish people in World War II, to hear about the seige of Leningrad or the violent persecution suffered, but quite another to sit in a small room with someone who lived through those things tell you what it was like, to look in their eyes as they tell you their story. It took me weeks to get over and is not something I’ll ever forget.
I’ve said it before, but it bears repeating, that Ben from duckrabbit is an amazing director to work with and it was his generosity of spirit, compassion and professionalism that got me through the somewhat harrowing process of making the film. Thank you Ben.
I would of course also like to thank Tanya and Dan for their amazing work and insights during production. (Big man hugs to Dan for the lift home from the airport on our arrival back in the UK, Cheers bruv:)
Natalia, the translator deserves special mention, not just for her incredible on the spot translations and infectious sense of humor but also for her warm hearted kindness to the interviewees and us the crew throughout. Nutella, we love you!!!
World Jewish Relief as an organization deserves and has, my deep thanks for all the incredible work they do helping survivors across the world. I’m deeply grateful that through them I had the opportunity to travel to Ukraine.
The final and deepest thanks must go to Semyon, Rosa and Clara for their bravery in agreeing to tell their heartbreaking stories to us on camera. I will always remember you, your incredible strength and resilience and I feel honored to have met you.
Below are some photos from what was a truly moving trip.
The first of four films from the Women at Cambridge series I had the pleasure of shooting for Duckrabbit and The University Of Cambridge on Women’s struggle for education.
From the Youtube description:-
The impact of women at Cambridge is incalculable. In 1869, Girton College became the first women’s college at Cambridge, and the first in Britain, to offer residential higher education for women. But Cambridge University did not grant degrees to women until the late 1940s, the last British University to do so. In this first film of a four-film series, Dr Lucy Delap and Dr Ben Griffin, co-curators of Cambridge University Library’s The Rising Tide: Women at Cambridge exhibition, explore women’s historic struggle for equality at Cambridge in the face of mass and sometimes violent opposition.
I really enjoyed hanging out with Lucy Delap and Ben Griffin who were as knowledgable and friendly presenters for the film as you could hope to meet. It was also a real pleasure & honor (as it always is) working with Ben from Duckrabbit, who never ceases to amaze with his kind-hearted, open professionalism.
Shot on Sony A7III with Tamron 28-75 and Sony 16-35. Mostly on the Ziyhun Crane 2 gimbal.
Do you want a flight in a 2 seater plane made in 1951 to check an engine repair with a pilot in his late 70’s and no parachute? Er……. Well, when the pilot is Dave Fradley an ex RAF flight trainer (amongst other things) with over 17,000 flight hours (about 2 years!) and it’s a lovely sunny day autumn day in Cambridgeshire, hell yes!!!
Shot on a Galaxy S8 with a £1 shop wide angle lens :)
My good friend Steve Gullick (the frankly legendary music photographer) just put out his 2nd book of phone photographs entitled “gullogram” so I decided to make a little video to help promote it.
You can buy the book HERE (but watch the video first:)
If you’ve read a music magazine or bought an album by pretty much any band using guitars properly in the last 30 years chances are you’ve seen Steves work. (THOSE Nirvana photographs?……. Mr. Gullick). Over on his Instagram, a different kind of work is prevalent though, more of a “visual diary” as he describes it. This is where the photos in “gullogram” come from.
The video was originally conceived as an Instagram piece, but as soon as I put a mic on him I realised something longer was going to be necessary, plus how many people watch videos with sound on Instagram? Frankly, we could have talked for an hour on the subject of just this, let alone Steves other work and that conversation may (or may not) be forthcoming in the future. As it is you get 3 ish minutes of Mr. Gullicks dulcet tones on the book and phone photography.
Shot with my current lens obsession the Helios 40 85mm F1.5 on a Sony A7III.
So, I got a replacement for the Russian 20mm lens I talked about in THIS post, a later for export version that doesn’t look as cool but maintains most of the beautiful characteristics of its older brother.
My “new” Russian Mir 20M 20mm f3.5 lens
So, one sunny spring evening I went to one of the largest water meadows in the UK for some wide angle flare fun with the Russian Mir 20M 20mm f3.5 on a Sony A7III, in slo-mo of course.
I do REALLY like this lens and will likely hang on to it for a while but its not very useful for video work as the convex front element means it can’t be used with screw on filters (No ND !!!) and I hate faffing about with matte boxes on these small hybrid mirrorless cameras. You can, as I did here, shoot slomo and crank the shutter speed to get near correct exposure but it’s by no means ideal and not usable for everything.
It made for a nice little evening in the meadow though :)
I’ve also been meaning to learn DaVinci Resolve for a while so thought I’d try out Resolve 16 Public Beta. It is not quite what I’m used to editing in Premiere, there are many things to like about it, as well as some that will take some getting used to (all new keyboard shortcuts slowing me down considerably despite the “Premiere” mapping that isn’t even close in the Resolve mapping options). I’ll definitely be using it more. It does render out VERY fast compared to Premiere, due to the better use of a computers GPU.
I’ve got another old Russian lens on the way and this one promises to be something special so look out for some tests with that coming soon :)
So, here’s an animation I’ve been working on as part of development for a (possible) longer idea. (Best seen full screen with the sound:)
Animation is made doubly difficult for me, because despite having an artist for a father, I CANNOT draw. So, this took a while, and used a fair few photo and video references to get there, it’s also the first real character animation I’ve tried to do in this 2D style. It is A LOT of work.
New found respect for all people doing this for the movies etc.
After Effects in case you were wondering, with some audio tweaking in Audition.
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