Charlie “Two Cute Dogs” Kirk – A Documentary

Charlie “Two Cute Dogs” Kirk is a 37 year old oxbridge educated Englishman who has been living in Japan for the last 9 years. He has been taking photographs for about 2 years and has been reasonably happy with some of his pictures for about the last year. He recently quit his job as an obscenely well paid lawyer to take a shortish sabbatical in order to scare more people with his flash.

A few months ago I had just finished a fiction short film project and was talking to a friend about what I wanted to do next. Film making had been a logical progression from my photography work and I had decided I wanted to make a short documentary film, but about what?

The friend I was talking to suggested making a documentary on Charlie, a mutual friend of ours who was a photographer we had become friends with in the previous 6 months or so.
At first I didn’t really like the idea, but as we talked more and I thought about Charlie’s personality, his style of street photography and his outspoken and controversial views it began to make sense.

When I first approached Charlie about the idea he was a little reticent, but after seeing my other work and a lot of convincing over many beers he agreed. Initially with some outrageous conditions that then took further “negotiation” to clarify, finally an agreement was reached (that I would have complete and total editorial control and he would just have to damn well live with it).
And so, I began filming him on the street, in bars and at his home.

The short documentary above is the result of that process, one that has at times not been entirely pleasant I might add ;-)

Charlie had several understandable concerns throughout filming:- that the piece would be a character assassination hatchet job designed to paint him in the worst possible light, that by agreeing to it people would assume it was his idea and a blatant attempt at self promotion from someone who hasn’t been shooting for that long and, most amusingly, that he would look fat.

I hope the piece does none of those things, I hope it is an amusing but honest look at Charlie and his style of street photography.

It was never intended to be a feature length documentary and as such leaves many questions that I’m sure I could have asked unanswered, it was always intended to be a short look at someone whose photography I like and who is an amusing and interesting character.

I hope you enjoy it, and frankly f%^k what Charlie thinks ! ;-)

See Charlie’s work:-

Music Credits:-

Fleck e.s.c.

“My Cow Never Loved Elvis”
Decipher/Uchujin/Adrian Storey

DJ Griffin

“Norleans Lovas”
(used under Creative Commons Attribution share alike 3.0 licence)

Special Thanks to:-
Franck Collin & Danny Griffin
Clemens Schwaighofer, Damon Coulter and Sean Lotman

The utterly unnecessary technical information for those who may be interested:-
Shot on a 5DmkII, with a Sigma 20mm 1.8, Canon 24-70mm 2.8 and Canon 50mm 1.4
Audio recorded with a Rode video mic pro and a Zoom H1
Edited in Premiere Pro and After Effects (gotta love warp stabiliser!) on a Mac Book Pro.


You may also enjoy:-


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  • Matt

    Nicely done.

  • Chris Blackhurst

    Firstly, I’m a dick for leaving a comment on the Trailer blog entry and not this one, after watching the full feature.
    Secondly, I made a generic comment on my last post that I thought I should clarify – on that I agree with a lot of what Charlie said regarding shooting on film and that its a more honest approach (I would indeed argue that there is a certain amount of alchemy, nay, mystery to shooting film that in comparison to the 0’s and 1’s of digital), but that bun fight aside, my disagreements were only with regard to aesthetics (I’m a fan of bokeh, what can I say?).
    On reflection, my previous post seemed a bit half arsed, so apologies for that.
    Everything else I said though still stands.
    N.B. There’s nothing wrong in wearing the same 5 or 6 t-shirts…

  • Tony

    great work.. did you shoot it with a dslr?

  • Jon

    Think its the best thing you’ve done. Cracking stuff.

  • I really enjoyed this documentary about you and your great work Charlie. I love your vision and wit.

    All the best


  • Joris Ruigewaard

    Charlie, you are not such a dick (as you say you are) after all!

  • Florian B.

    Already a legend. Fucking amazing. Great movie, great sound, great photographer (character). Keeep on doing what you do. Greetings from Germany …Leitz Camera forever..

  • Good work Adrian. Solidly done, well edited, and just long enough. One thing that I didn’t like was the font of the questions. But the other 99% of the effort needs to be congratulated on. Hope all is well, Vitek

  • I never understood the style until watching this documentary. Pure Genius! You come to Florida, give me a shout; we’ll have a beer!

  • Moonwire

    Kind of funny what a small world it is. I bumped into Charlie on the streets of Phnom Penh 2 years ago. I don’t care much about his ‘girly’ shots. However, his 3/11 documentary is very, very strong.

    Nice work on the documentary, A.

  • Charlie is trying hard not to be cool but fails!
    Well done you captured him very well.

  • Mark

    Great work Adrian. Very nicely/professionally put together. Your only failure was not making Charlie look like a dick, although I don’t think Kubrick wouldn’t have succeeded either. Seriously though I thoroughly enjoyed it. It was a very honest appraisal of what Charlie is about and what he does. It is amazing to watch the change in Charlie’s photography over the last year or so. Looking forward to your next project.

  • Masterful, For all Charlie’s bluntness and his guerilla shooting style he has a softer side that is unexpected on your first or even third or fourth meeting but unmistakable a part of the man you come to know later. The genius of this film is that you are able to show even first-time viewers that. Great work.

  • “I give less respect to people who shoot digital.”

    After hearing this I stopped being interested in Charlie’s opinions and quit watching the video.

    I shoot both digital and on film and I see no reason to disrespect the use of one over the other.

  • Love it, really interesting and vey nicely shot and cut. more more

  • Congrats! A character study from another character.

    Keep on keeping on!

  • Marzosyd

    “I give less respect to people who shoot digital.”

    Maybe not the best way to say it, but I get what he means. People who have recently quit smoking or newbie vegans often spout off about their past vices in a similar way. I reckon Charlie will backslide and return to digital (M9) one day, but totally hear and respect his barks today. Old school learnings are often the best way to master a craft. I dig his work…

  • Curtis

    Excellent work, Adrian! What I find compelling and what I think you did a great job with is capturing Charlie’s enthusiasm; it’s an admirable trait. Regardless of his opinions or process or results, learning a bit about him through something he’s passionate about was interesting and entertaining.

    The only thing I didn’t enjoy was the typographic treatment. To me the font choice is heavy-handed and a clear distraction. A neutral, undecorated alternative would provide a more polished and “pro” result in my opinion.

  • Charlie

    The font is easily the best part of this video.

  • Well, you nailed it. It flows really well. The pace of it is just right. It feels pretty balanced to me (not an easy thing to achieve) which I am impressed about. Just well done.

  • Jim Clinefelter

    Great work, Adrian! You captured Charlie’s working method perfectly. I enjoy his work very much, and I think the great majority of it will stand the test of time. I will be in Tokyo again in a few weeks (17 October-1 November)…hope to see you and the rest of the gang :)

  • Pretty nice work…

  • e

    i enjoyed this. well done. more, please.

  • Hi. Really liked this documentary. Great work!

    PS. What kind of flash triggering system is that?

  • Great video! Anyone know what camera bag CK is using in the documentary?

  • Charlie Kirk

    It’s a comet triggering system. Korean company. Don’t know if its available in Europe/US. Bag is Zegna – it’s not a camera bag per se. Just a …er…man bag.

  • David Koji Kariyado Hansen

    Wicked awesome!

    Adrian, you have put together a very professional and brilliant piece of work! Being following Charlie’s great work on Flickr, nice to see the person behind the images. Seems like a nice dude!

  • As an amateur street photographer on Flikr I came across Charlie’s work and was astounded – so I wrote him a note as one does. Anyway your film takes us all up to another level on the street – although for the more introverted it’s that much more difficult – and yes, Japan is easier in some respects – love the country and the people and will be returning in August (to Kobe and Kyoto this time as we are lending to Museum exhibitions). Whatever – its great – he’s great – and I thank you – Peter Nahum (“Renate’s Mate”)

  • Charlie, I must take issue with you on the X100.

    I’ve been shooting professionally since 1992 and have used many of the finest pro cameras, film and digital (excepting Leica) and for me the FujiFilm X100 is the best camera I have ever shot with. Once you learn to bend it to your will, it’s formidable.

    The cameras are just tools and to not take seriously those of us shooting digital with the likes of the X100 is a mistake, in my view.

    I consider myself to have been an expert on Fuji and Kodak films, both colour and monochrome and I’m thrilled at the prospect of never having to shoot the stuff ever again. It’s slow and wasteful. Digital is where it’s at.

    That’s all.

    I’ll see you about the place.

    – Paul

  • I must add too that this right here is a well put together little film. Nice!