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أنا من القمر – Jordan Pt 6 – The Dead Sea

Finally a post about my Jordan trip where I make it out of Amman! Only about an hour away though, Just as far as the lowest point on the Earth at 408m below sea level – The Dead Sea.

Firstly a few facts:-
The Dead Sea is not in fact a sea, but a lake.
At 31 % salinity (9 times the oceans) it is the 2nd saltiest body of water on Earth after Lake Aral in Djibouti.
The Dead Sea is 3 million years old.
It has shrunk by 30% in recent years (at a rate of 1/2 meter a year) due to evaporation and the demands of the potash industry.

It is a spectacularly beautiful colour, and the salt rocks formed around it’s edges add to the feeling of being in some alien environment.
A crazily buoyant dip in it’s waters is all one imagines it would be and covering oneself in its (allegedly) healing mud a small tourist indulgence that was as much fun as it looks.

Take it from me though, do not get the water in your eyes as the 30m dash up the red hot beach to the fresh water showers feels like miles and you feel even stupider the second time.

It was also a strange experience for me to be gazing across to Israel/Palestine on the other side having done exactly the same the opposite way more than 10 years ago. In Jordan with it’s 30% Palestinian population the reality of the Israel/Palestine problem is never far away and to bob effortlessly in The Dead Sea gazing across to what are essentially occupied lands is a slightly surreal experience.

Anyway, a few pictures.

Don’t forget to check out the other posts in the أنا من القمر – Jordan series:-

أنا من القمر – Jordan

One year on: 3/11

I really I wish I had just 1 Yen for every column inch that has been written or is going to be written about the ‘mega-disaster’ that hit Japan a year ago today.
If I had another Yen for every self-serving ounce of hyperbole ……well let’s just say I wouldn’t be eating radioactive vegetables for dinner tonight.

The farce that has unfolded in Japanese politics and society since that horrible day that took so many lives in its wall of water and the irresponsible, downright criminal lies and incompetency that surrounds the handling of the Fukushima Daiichi nuclear “incident” over the past year are so unbelievable that to begin to enumerate them seems an impossible task.

A year later the devastation to Tohoku and the continuing international fear over the global effects of the ‘World’s worst industrial disaster’ (as if not calling it a  nuclear disaster somehow lessens its impact) ensure that “Fukushima” will go down in history in whispered tones reserved only for that other expletive “Chernobyl”

And yet, what has really changed here in Tokyo?
The half-hearted so-called ‘sakura revolution’ which produced some of the biggest demonstrations Japan has seen since its Police beat the student protestors to a pulp in the 1960’s was neutered from the start by a culture that allowed the same Police, with their cuddly orange cartoon logo and condemned by Amnesty international detention practices, to break even 50 or 60,000 strong marches up into nice comfortable little pockets that wouldn’t affect the shopping habits of the 99.999% of Tokyo’s 13 million residents who were carrying on as usual.
The milk, vegetables and rice that were suddenly incredibly cheap and well within (swiftly recalibrated) radiation limits sat unpurchased except by the most hardcore of the 我々日本人 (we Japanese) brigade for a few short months only to fly off shelves once the latest bordering on child pornography AKB48 single had distracted the national attention away from the potentially generations long threat that was silently permeating every nook and cranny of their existence.
The loud, guilt inducing calls for energy-saving in the wake of almost all of Japan’s nuclear reactors being shut down have faded away to be replaced by the same 30ft video screens advertising the latest J-pop schmultz everywhere you turn and the huge department stores with their air conditioners running full blast but doors wide open just as they were before March last year.
The brief flirtation even ordinary Tokyoites had with not trusting every word that comes from the mouths of their politicians or TV news presenters has been forgotten too. In this week leading up to the anniversary, International media has been doing a passable if slightly sycophantic job of trying to unravel what exactly the effects have been on Japan whilst the biggest story in the Japanese media has been of escaped penguins.

The people of the Tohoku coast will be dealing with the devastation and after effects for generations to come.
The 20km exclusion zone around the Fukushima Daiichi reactor complex will probably never be safely inhabitable again.
Children from areas nearby will tragically grow up with a far greater chance of developing various cancers and will no doubt be stigmatised in the same way the victims of the Minamata disaster were before them.
The reconstruction of the area by the incredibly selfless work of the numerous volunteer groups that have sprung up will take decades.
No one in those areas worst affected will be forgetting the disaster and the criminal incompetency of the authorities in the wake of it for a long time.

Yet here in Tokyo, the Japanese people had a brief window and more than 600 greater than M5 reminder aftershocks to shake themselves out of their comas and genuinely change aspects of their culture and society that desperately need to be jettisoned like the rotten old dead wood that they are. A chance to ensure that the institutionalised failures and lies that have allowed TEPCO and the government to pull the wool quietly but successfully back over the eyes of all but the most militant, and therefore destined never to be listened to members of the society, would never be allowed to happen again.

It was unfortunately a chance that they didn’t take, in Tokyo at least the 250km to Fukushima seems to be an awful lot further than it was a year ago when we were glued to our television screens trying our best to believe that the plumes of smoke billowing from the stricken reactors were as safe as the announcers were telling us they were.
That added sense of distance means once again that what is out of sight stays firmly and dogmatically out of mind.

Do you get paid for your job?

For my inaugural post of 2012 I have a happy story.
A little out of character I know, but this one is good and is all about why you should stand up for yourself and your work.

****PLEASE NOTE – All the name’s have been changed to protect the innocent and I am writing this with consent of the person whose emails I will quote****

Most of us have received one of those “can we use your picture for free?” emails, and frankly recently they seem to be on the increase, to the point where I have started to get a little rude.
Below is an email I received from a well-known newspaper about a week ago:-

Hi Adrian

 I’m putting together an online XXXXXX  for (Name of newspaper) in the UK, and was pointed in your direction by XXXXXXX.  We’re doing a piece on the best photoblogs in the city, and would like to include you!
 
We’ve picked five bloggers/photographers, and are asking each person to pick their two favourite images of the city, with a sentence on why they’ve picked that image. I know your images can be quite dark, but we’re looking for stuff that shows the wonderful side of Tokyo, even if it’s wonderful in a weird/twisted kind of way!
 
I’m afraid we don’t have a budget for this, but will make sure that the image and caption credits links directly to your site (or whatever page you wanted).
 
How does that sound? Ideally, we’d need your choices by the end of this week.
 
Looking forward to hearing from you,
 
Thanks!
XXXXXX
 
 
It was to be honest a bit of a dilemma as I didn’t want to say No, but I am not prepared to give my work away for free, after consultation with some friends and a bit of thought I eventually replied thusly:-
 
 
Hi XXXXXX,
Thanks for your mail, which I’m just getting to now because of the time difference.I appreciate your interest in my work and interest in including me in the piece but it has left me with a bit of a dilemma.I am not really a blogger, I am a freelance professional photographer and film maker. This is my job. This is how I put food on my table.

Usually when I receive requests to use my photographs for free I reply like this:-

“Dear Sir/Madam,
In response to your email I would like to ask you a question, Do you get paid for your job?

I thought so, then please don’t insult me by asking me to do mine for free.

Yours sincerely
etc”

And yes, I usually send it out word for word.

You would be surprised how many organisations suddenly find they do have a budget for photography after receiving that mail.
Of course many don’t, but one is tempted to think that the ones who never reply were not worth the effort anyway.

So here is my dilemma.
I love (Name of newspaper), a long time ago in a country far far away I used to buy a physical print copy (oh how quaint;-) at least 3 times a week.
I read regularly online and know several people who work there.
I would love to see my work in (Name of Newspaper) , or at least on the website.

I don’t really want to send you the “do you do your job for free?” mail, but I also think it is very important that photographers stand up for themselves and their work when requests like this come in.

As far as I can see there are 3 solutions to this problem:-

1) (Name of Newspaper) suddenly finds that they do have a budget for photography for this piece, even if it was a small token budget of say XX quid a picture that may very well be enough.

2) You, despite getting paid for your job, write back saying “sorry, really don’t have any money” or more likely don’t respond to this at all and choose someone else.

3) We reach a compromise as people. You are asking me for my work for free, so I ask you for something. Not you “web producer at (Name of newspaper)” but you personally “XXXXXX”.
I say that if you reach into your own pocket and donate say £XX to the Japanese Red Cross for disaster relief in Tohoku northern Japan, then I will send you 2 pictures and agree to them being used in (Name of newspaper) on a onetime limited use licence for free.

I look forward to hearing from you and I will prepare the pictures ready for sending in the hope that options 1 or 3 are your choice.

Yours Sincerely

Adrian Storey

I was quietly proud of myself for this response and to be honest was just expecting option 2 (“sorry, still no money f&*k you”) as the reply.
I couldn’t have been more wrong.
 
About 2 days later I was having a drink with some friends when 2 emails arrived almost simultaneously, the first informing that a donation had been made in my name to a Tsunami relief fund and the second:-
 

Adrian

You are unquestionably right, and I’m sorry for creating this dilemma.
 
A have donated to a Japan Tsunami relief charity – you should receive an email from them soon, as it was made “in your honour”.
 
I’m also going to offer a £XX commission to you and all the other bloggers who take part. I know this is not much, but it’s already further than we should be stretching  – but if this is not enough to justify you allowing us to use the images, I fully understand.
 
Once again, sorry. And thanks. 
 
XXXXX
 
Now I say, respect where respect is due.
I really wish I could name this guy because I feel he deserves some recognition for being such a star.
A donation and paying me and the other contributors from a starting point of “it’ll be good publicity, but sorry no money”?
Legend.
Total.Fucking.Legend.
If I’m back in the UK I so owe this guy a beer.
Thanks for being such a professional and a damn good guy brother (if you are reading this you know who you are ;-)
 
The moral of this story?
DO NOT GIVE YOUR WORK AWAY FOR FREE!!!!
Sometimes all it takes is to calmly state why you feel you should be paid and the person requesting your images will do the right thing.
 
If a few more people did this perhaps our industry wouldn’t be being eroded away by amateurs who buy a “nice” camera , think that makes them a photographer and are happy to give their low quality work away for the ‘publicity’.
 
I hope this is a taste of things to come this year, keep those requests coming and keep paying me when I ask.
 

Friday Nights

Friday nights have always meant something special to me ever since those first illicit snakebite and blacks when I wasn’t old enough to get served in a pub.
The tradition of meeting with good friends over a few (really a few??) drinks and putting the world to rights continues even now so far away from those days as a fledgling alcoholic.
What that means in Tokyo is that I have been going, with an ever-changing group of friends (some dearly missed who friday isn’t the same without) to the same bar almost every Friday night for over 5 years.
It’s got to the point now where the bar manager and I know each other by name and he will move people off my favorite table when I arrive.

The picture above represents a more populated Friday night than is usual but shows a fun and interesting group of people who help to keep me sane.

So this post is a tribute to all the participants of Friday night drinks in Tokyo over the years, I salute you and thank you my brothers and sisters!
(Particular thanks to those who aren’t present in this photo, some of the original Friday nighters – you know who you are – You are dearly missed)

“Sometimes you gotta go where everybody knows your name”

From bottom left in the photo:-

Pierfancesco Celada – Photographer

Arnaud Lemorillon (From  Mamzelle Films)

Damon Coulter -Photojournalist

Bellamy Hunt – Photographer and sourcer of vintage cameras from Japan

(oops forgotten who this guy is – apologies )

Bruce Meyer-Kenny – Photojournalist

Brett “Tokyo Reporter” Bull – Journalist

Richard Smart – Journalist

Charlie “two cute dogs” Kirk – Photographer

Clemens Schwaighofer – Photographer

(prefers to remain anonymous)

Kevin Carroll – Journalist

Julian Littler – Journalist

Yasukuni Shrine – August 15th 2011 – Right wing fun in the sun

***UPDATE*** There have been some unpleasant insinuations and comments about my morals and political views concerning the content of this post.
Please be sure to read my replies to the commenters.

I almost didn’t make it down to Yasukuni shrine for the anniversary of the Japanese surrender at the end of World War II this year.
It would have been the first time in 5 years that I hadn’t and therein lay the problem.
The pantomime is the same every year with mostly the same big players and even many of the extras returning year in year out, if you’ve seen it once then you’ve pretty much seen it all.
But, on reflection on the morning of the 15th I decided to go, if for no other reason to meet up with some friends and have a day out in the sun rather than spending the whole day sat in front of a computer screen.
As always I was glad I did.

I have written about my experiences over the years on numerous occasions (here and here) including last year’s particularly strange day meeting with Shinichi Kamijo and his Uyoku Dantai group the Gishin Gokokukai.
This year I planned, as usual, to meet up with a few friends, take some pictures, enjoy the madness and try not to get arrested or beaten up.

I arrived at the shrine just as the 1 minutes silence for the war dead was starting and quietly moved my way through the crowds of people stood silently with heads bowed, towards the main shrine where I expected to find @tokyoreporter, @damoncoulter and maybe twocutedogs .
Almost immediately after the silence finished I spotted the unmistakable shaven head and blue jump suit with a swastika on the arm of Kamijo san.
He recognised me immediately and as always was disarmingly friendly and suggested we go to meet @tokyoreporter for a drink in the shrine cafe.
We made our way down through the crowds of people exchanging pleasantries about our families etc, when he told me he had got divorced I unthinkingly joked “Congratulations” and his stare froze me for a second before he repeated, “divorced” and I backtracked and pretended it was my poor Japanese that had caused my error.

Soon enough I was sitting in the shrine cafe surrounded by a who’s who of Uyoku dantai and Yakuza sweating like a skinny white middle class boy drinking with 5 huge men with swastikas on their jump suits.
As always I was pleased for the presence of @tokyoreporter whose Japanese ability far outshines mine and without whom I would never have been introduced to this strange man, who repeatedly called me “his friend” and “his photographer” throughout the day.

With a few hours to kill before Kamijo’s favorite ‘matsuri’ (festival) really got started the drinks kept coming as did the food (even vegetarian soy beans for me, which appeared as soon as Kamijo san heard I didn’t eat meat) all courtesy of Kamijo san. Whenever anyone’s can was empty more money would appear and one of his group would rush of to buy more beer or chu-hi or another plate of fried noodles.

The conversation as always was disarmingly friendly (vegetarianism, my earlier “congratulations” joke which thankfully everyone laughed at and of course women) and the group were happy to answer our questions as well as asking us many, at one point one of them even asking me about the correct English pronunciation of a word.
It always rolled back around to politics though and I was surprised when Kamijo san talked to me about the recent riots in the UK, correctly identifying them as economic riots rather than the race riots they are being reported as on Japanese TV.

One of the biggest dilemmas as the beer and chu-hi kept following was to separate the very normal if a little politically slanted conversation, which could have been with any group of Japanese men if I had my eyes closed, from the reality of these men, sat in blue jump suits with swastikas and Japanese flags on the arms and knowing that under Kamijo san’s suit were tattoos of swastikas, Adolf Hitler’s name and the SS symbol.
If I was a journalist I’m sure all kinds of “journalistic ethics” alarm bells would be ringing at uncomfortable volumes, thankfully though in this instance at least, I was just there to try to document the day from their point of view and to enjoy being sat in the center of a group of gangsters and thugs that would normally not tolerate my presence.
Just when I thought I couldn’t possibly drink anymore in the heat it was time to head off out of the shrine down to where the left-wing peace march would be passing by, Kamijo and the Gishin Gokokukai’s favorite part of the day.
A brief stop to talk to some old men praising Kamijo and his groups for their efforts and we were on the move.

As we walked down Yasukunidori towards where the Left Wing Peace march would arrive, Kamijo and his group stopped to talk with many of the riot police lining the route and many of the undercover police, they all seemed to know each other. It was weird to see them joking around and chatting like this was just a lovely day out in Kudanshita in the sun. The Gishin Gokokukai even bought a big bag of Pocari Sweat rehydration drinks and handed them out to us and the undercover policemen.
It definitely seemed like Kamijo san, the Gishin Gokokukai, the other right-wing groups and the police were all on the same side and all were waiting for a common enemy to pass by.
The obviously close and friendly relationship between these violent right wingers and the police supposedly far removed from them just one more item to add to the list of strange dilemmas and ethical conflicts.

Then, the quiet before the storm, we waited for the left-wing protest march to arrive.
Despite the heat and the alcohol, you could almost taste the nerve tingling anticipation  as Kamijo san and his group stood around joking with the policemen and smoking cigarettes.

We didn’t have to wait too long.
At the first sign of the police buses moving up the street ahead of the Left wing march the atmosphere changed completely.
This was what Kamijo, the Gishin Gokokukai, the other assembled right wingers (far less than last year), the Yakuza and wanna be Yakuza were really here for.
A show of force that seems most of time little more than scripted pantomime, but can at any given moment turn genuinely ugly, and at those moments Kamijo san and the Gishin Gokokukai are never far away.

And just like that Kamijo san’s favorite festival was over for another year.
Everyone said it seemed quieter this year and there definitely seemed to be a much smaller posturing right-wing presence outside the shrine.
The police however seemed more violent to us photographers, I got properly pushed a few times.
Kamijo san and the Gishin Gokokukai were definitely as genuinely violent as they were last year but all smiles and handshakes with us afterwards.

Before I wrap this post up, there are a few more pictures unconnected to the Gishin Gokokukai I’d like to share.
During the scuffles with the left wing march I spotted a Japanese girl dressed in the hippy uniform of muted browns and rough around the edges chic.
She seemed out-of-place in amongst the right wingers but it quickly became apparent she was firmly on their side as she battled to get through the police and even stood crying when she wasn’t strong enough to make it through.

Shortly after the next photo was taken the guy with her covered up her face with his fan to prevent me taking anymore photos and as she passed by she punched me. Luckily it was a pretty pathetic punch, the kind you’d expect from some obviously highly confused little Japanese girl. But still, hands down the most incomprehensible person I saw this year.

And so, just one more photo to share before I close off on Yaskuni August the 15th for one more year.
This is just for fun – As I was editing my photographs that night this one caught my eye, maybe it was the sunglass wearing right-winger wielding a rising sun flag megaphone or his place in the composition, I don’t know.
Anyway I opened it in Photoshop only to discover just below the megaphone the handsome(?) face of Mr Charlie Kirk a.k.a. two cute dogs, a good friend who I had no idea was anywhere near me when I took the shot. So this last one is for you Charlie ;-)

And that as they say is that.

See you there next year for the greatest pantomime in Japan.
I’ll be the white guy sat drinking with the big scary right-wing guys.

Frankiki – Morrigan from Dragon Age – Cosplay Shoot

Just finished editing the pictures for a cosplay portrait shoot I did last week.
Thought I’d share a few here.

Frankiki is an English cosplayer who makes all her own costumes.
For this shoot she was dressed as Morrigan from the video game Dragon Age.

It was a fun shoot at a small studio in Ikebukuro which apparently is very popular with the cosplay crowd.
(and to top it off we went for a really nice Mexican afterwards;-)

(The obligatory middle finger photo which I always ask everyone I shoot to do ;-)