The Neotists – Three Questions Interview Series
Allow me to present my latest short film “Peripheral Neuropathy”
I started thinking about this idea about 8 months ago and even filmed a few bits to check and see if it was going to work.
I had drawn up a storyboard and planned out 80% of it but had hit a brick wall with how to end it.
It got shelved but kept bubbling away in the back of my mind every time I looked at the crudely hand drawn storyboard taped to my speaker stand.
Then text to image AI models exploded into my world, adding an entirely new tool to the toolbox.
Quite simple film making and some finessed After Effects skills had gotten me most of the way, could I leverage this new tool to finally get this finished?
I’d already been using Stable Diffusion on another short Directed by Martin Cooper to generate backgrounds for some green screen footage we had shot and was increasingly excited about the possible uses in other work.
There ended up being very little actual Stable Diffusion stuff in this film, but what has ended up in there made it possible to finish the film, something I was beginning to worry might not happen. It had helped in other ways by inspiring experimentation and ultimately provided a much needed creative spark, so deserves more credit than the amount of it’s inclusion would suggest.
I used the Deforum animation plugin in the Automatic web UI of Stable diffusion to create a low poly moving “field” to mirror the actual field seen in the piece.
I also used Stable diffusion to generate an image of an aged me from a video frame, I attempted to use EbSynth to map the image back onto the video but was not really getting anything I was happy with. I ended up using FILM to map the image onto the footage, which gave a much more satisfying result.
I knew it needed more than the natural sounds present to bring it all together and asked my long time friend and musical talent Danny Griffin to see what he could do, the only real brief being I didn’t want it to end up being like a music video. I think he absolutely nailed the soundtrack, adding so much more to the piece.
You can draw your own conclusions on what it’s about or why it has the title it does.
I’m very pleased with how it’s turned out. I hope you like it.
*Note to self: Figure out the whole story before starting something in future otherwise it just gnaws away at you :)*
At the end of last year I was hired by the lovely folks at This Is Crowd to Direct/Shoot/Edit a promotional piece for their client Thomann-Hanry – “The world leading façade cleaning experts” and their latest project cleaning the facade at Somerset House in London.
You can read more about the project and Thomann-Hanry’s unique method of cleaning sensitive buildings over on their site HERE and watch the resulting video above, which turned out pretty well, I think.
Big thanks to This Is Crowd for hiring me and especially to Skye.
Big thanks also to Claudia from Thomann-Hanry.
A pleasure to work with you both.
Shot on a Sony A7III in 4K using Tamron Di III RXD 28-75mm, Canon FD 17mm and Jupiter 11 135mm lenses.
Edited and graded in DaVinci Resolve 16
Side Note:
The final day of this shoot was just before the UK lockdown due to COVID-19.
The edit was a welcome distraction from the beginning of the craziness.
Posting the film here now has taken on a slightly surreal edge as it was likely my last job shooting until this is all over.
Stay safe, wash your hands and be nice to each other!
Recently I was hired to make a documentary about Cambridgeshire artist Michael Murfin to accompany his “A State Of Change” exhibition at St Neots Museum Exhibition Room which runs from March 13th – April
Michael talks about his life, work and about the oil paintings recording the A14 upgrade project in Cambridgeshire that make up the exhibition.
I shot it in 4K (for 1080p delivery) on a Sony A7III with a Tamron 28-75 lens.
Supported on a Sachtler Ace tripod.
The interviews were lit using a Brightcast V15 Led Panel with a D-Fuse
The subtitling was done using the awesome service over at rev.com who turned around the 14 minute film in about 3 hours with 99% accuracy for a VERY reasonable price. I’m not associated with them in any way, but this definitely won’t be the last time I use them.
Many Thanks to Michael & Hilary for their hospitality, tea and humour throughout the process.
Directed/Shot/Edited:-
Adrian “Uchujin” Storey
Music:-
LLOYD ROGERS
Cartesian Reunion Memorial Orchestra – Violin Machine
“1 Fast”
Cartesian Reunion Memorial Orchestra – The Little Prince, A Ballet In Two Acts
“On Matters Of Consequence – Act I”
“On Things Invisible To The Eye – Act II”
“Gifts Of Stars – Act II”
USED UNDER A CC PUBLIC DOMAIN MARK 1.0 LICENSE
KAI ENGEL
Caeli
“Modum”